Shakespeares Sonnet 12 and Seamus Heaneys Blackberry-Picking Essay Example for Free

Shakespe ars Sonnet 12 and Seamus Heaneys Blackberry-Picking EssayEndeavor to confront quantify scythe or fork over to fatalism? Compare and Contrast Shakespeares Sonnet 12 and Seamus Heaneys Blackberry-Picking By Sally, Kuok Si Nok, School of Translation and Interpreting, Beijing address and Cultural UniversityHuman in all ages races through lives in an everlasting fight against time. Mens struggle against spirit has been a timeless theme in the literary world. From the early 17th century Sonnet 12, Shakespeares When I do count the clock that tells the time, to Seamus Heaneys Blackberry-picking, written in late 20th century, some(prenominal) poems addresses the effect of Times scythe on the transience decayed in nature as a inbred bike of life however, while Shakespeare adopts a positive attitude in suggesting procreation to defeat time as a temporary solution, Heaney reflects on the inevasible disappointment at the interference of inseparable law of nature. To address the theme of natural cycle, Shakespeare employs elaborated diction and juxtaposes contrasting ideas to measure the changeover of time, nature and youth through life In product line 1 and 2, brave day sunk in hideous night reflects the daily passage of time, line 3 and 4 link nature to humankind, by low evokes a flowers wilting power point to the image of black hair naturally aging an turning grey, line 5 to 7 talk of the rise of season from canopy to barren of leave, to white and bristly beard, indicating snow and winter. Since Heaney metaphorizes old man as white beard on the bier, it can be suggested that he also compares young maid to over-embellished prime and young man to lofty tree. Thus, the implicit use of figurative language hints the universal law of nature on all creatures throughout Sonnet 12 a number which symbolizes hour and month (passage of time).With regard to Heaneys techniques of expression, he visualizes the decaying move of blackberry by reminiscing a childhood activity in countrified Northern Ireland. In the poem, the specific temporal markings alike late August, for a affluent week, At first, rightful(prenominal) one and every year vividly demonstrates the time sequence of blackberry growing before eventual(prenominal) rot the employment of color and texture like green, red, purple g freeingy and hard serves not just to illustrate the ripening blackberries, but also impact on the readers taste and tactile sensation. Most importantly, the anamnesis itself, utilizes both the perspective of Heaney as a young child and an with child(p) looking back, and the half-rhyming pattern suggesting defective memory, both symbolize the passage of time and ageing process. The last line Each year I hoped theyd keep, knew they would not. suggests a repetitive emotional behavior and disillusionment, highlighting the natural law of life.Shakespeare and Heaney, though addressing the same theme, take issue in the motivation and the attitu de toward Times scythe. The former speaks of sterility of bachelorhood and recommends procreation as a gist of immortality in the form of human race, whereas the latter blends autobiological account of disillusionment in rural life with the natural decay of blackberry, impacting the reader on the spiral of disappointment.In Sonnet 12, Shakespeare displays a strident attitude to stoop first, brave day sunk into hideous night the antithetical choice of word establishes a double-dyed(a) contrast, not only between day and night, but above all, the courage and futility of battling against indefensible nature, for brave is meant to indicate a visual brightness and gallantry. A man begins his live bravely, wanting to explore the world some him and learn as much as he can. Once he has reached his prime he begins to come down into his twilight years, and his beard begins to turn silver. The girls who once flocked to him have either been married or have incapacitated interest. His bea uty has waned, and been replaced by the wrinkles and gray hair that mark old age. His life continues thus until he dies exit the world with no one to keep his memory alive. Therefore, the repeated brave in the last line means to endure something without showing fear in this case, that which much be endured is death, or time that go forth take thee hence.Second, the progression of natural creature to human emphasizes the universally incessant movement of time, hidether fright his bachelor friend and readers. Lastly, the third quatrain shifts in tone and the speaker begins to talk directly to the young man, exemplification the inescapable fate of his beauty being engulfed by decay and eventual death. The personification of flowers images the general agreement of all creatures forsaking ones sweets and beauties to nourish offspring. Together with muscular rhyme, the palindrome-like metaphor pushes the poem to a climax.In Blackberry-picking, Heaney frames the the progression of p leasure to disappointment by two separated stanzas he first describes his enthusiasm for picking blackberries, from preference the first black berry of the season to the frenzy of excitement with the involvement of his peer friends he whence reflects on how his attitude towards the berries evolves into revulsion as the berries decay. Together with half-rhymes and abovementioned poetic structure, the elaborated diction and imagery associated with greed, lust, violence, ride and horror further highlight how the speaker laments the effect of time on joyful life and pleasure, both sharing a transitory nature.In line 3 and 4, one of the two only full rhymes of clot and knot invites readers to compare them, reinforcing the stark contrast between hard, unripened and soft, ripe berry. Amongst, the metaphor of a clot draws a comparison between the first berry of the season and a blood clot, first highlighting its soft juiciness and deep rich color of the berry and then associating it with flesh and blood. This introduces the animal(a) nature of berry-picking, which later violent and guilty association await. Words like flesh, thickened wine summers blood, thirstiness and lust are strong expression of human desires, usually pathological craving, which implies the intoxificating effect of the berries on the children and foreshadows of the loss of innocence in coming adulthood (Passage of time). The young ravenously gorge on the blackberries, tasting the stains upon the spittle and lust for PickingThe enjambment of Picking marks the start of the next section of the poem the material picking of blackberry, which can be perceived as the crime scene of human crippling nature. The children are sent out by hunger and desire, disregard of their inked-up hands and mouths, and randomly gather all feasible containers like milk can and jam-pots in order to satisfy their riddle-less lust for berry. They frantically scour the hayfields and potato-drills, manifestly forbid any berry, ripe or not, to spare from their blood-stained mouth, oblivion to treasuring their spoils and throw them in until the tinkling bottom has been covered with green ones- fantasizing endless gratification. The last two lines in the first stanza push the crime, or the process of lust, to a climax, by juxtaposing the victims mutilated corpses staring like a plate of eyes and the assailants sticky palms like Bluebeards an allusion of a black fairytale in which a lord married a succession of squelch girls before murdering them.The minute stanzas choice of word is the antithesis of the first Rat-grey fungus, stinking, fruit fermented and sour starkly contrast with the not-long-ago euphoria, as the berries start to rot and go moldy, marking the post-climax downward slope of emotion plunging to the bottom. Thus, it may hint that Heaney subtly associates the arch-like process of pleasure to that of a sexual intercourse, by both diction and alliteration. Starting from first and fl esh, to briar, fagged our boots and big blobs burned in the middle, then followed by pricks and palms, ending with filled we found a fur and fruit fermented, the deliberate use of alliteration pattern draws association to a complete process of copulation. linguistically speaking, the labiodental /f/ hints the arousal and foreplay, then progress into bilabial /b/ implicating orgasm, finally ends with plosive /p/ and shrill /f/, indicating sudden stop of sensual pleasure along with frustrated insatiability. Therefore, when Heaney introduces the speaker I express feelings that it wasnt fair and always felt like crying, he acts like a petulant child or a dissatisfied teenager.At first, just one, a glossy purple clot Among others, red, green, hard as a knot.That all the lovely canfuls smelt of rot. Each year I hoped theyd keep, knew they would not.These full-rhyming couplets act as a framing device by introducing the first taste of blackberries and the excited frenzy of picking that stem from it, whereas the second couplet epilogue with Heaneys disillusionment by use antithesis to express the futility of fighting against fleeting time, from the perspective of an adult as he recognizes and looks back to the fundamental contradiction in his idea.Nevertheless, Heaney might sound less heavy if he is alluding to a deeper significance metaphorizing blackberry and sensual pleasure as life itself. Hence, within this interpretative framework, Heaney can be understood as mirroring the same literary skill and message that Shakespeare conveys explicitly using natural decay to intimate humans own mortality. Yet, the difference lies in the strong contrast in attitude and motivation, in which Shakespeare confidently persuades his bachelor friend whereas Heaney helplessly laments on his overwhelming fatalism.